Lecture by Andreas Nobel at Midsommargården, May 8th, 1-3 pm.
Konstfack, Stockholm.
Friday May 8, 13-15 AT MIDSOMMARGÅRDEN (at Telefonplan) Lecture: Fleshspirit - Theorizing art or artifying theory Reflections on relationships between theory and practise Lecturer: Andreas Nobel, Ph.D. candidate, Konstfack The lecture will be an introduction to my research starting with a presentation of my educational and professional background. After this follows an introduction to the subject of my research: The relationship between theory and practise in a craft-based design process. I will then present one example of my research method (so far), which involves a deliberate mix-up between theory and practise. While reasoning about these issues the inevitable question is: Why artistic research? One way of treating this question is to formulate in what ways artistic research differs from other fields of research as well as from art and design itself. The fairly new field of artistic research can be justified only if we think that it can provide new and other kind of knowledge and/ or experience than the established scientific traditions and the contemporary art scene can provide. Andreas Nobel is an interior designer. He teaches at BI, konstfack. He is a former member of Uglycute and the former chief editor of RUM, a magazine for architecture, interior and design.
Research and Practice explores practice-based research in art, craft and design.
RECOMMENDED READING
- Allen, Stan. Practice: Architecture, Technique and Representation. Amsterdam: G+B Arts International, 2000.
- Balkema Anette and Slager, Henk: Artistic Research, Special volume of Lier & Boog Series of Philosophy of Art and Art Theory, vol. 18, Amsterdam 2004.
- Bibliography on supervision, research training, and research in art and design
- Biggs, M. (2004) "Learning from Experience: approaches to the experiential component of practice-based research" in: Forskning, Reflektion, Utveckling. Stockholm, Vetenskapsrådet, 6-21.
- Biggs, Michael. Foundations of practice-based research: proceedings of the research into practice conference
- Buchanan, R. “Declaration by Design: Rhetoric, Argument, and Demonstration in Design Practice” in Margolin, Victor ed. (1989) Design Discourse: History, Theory, Criticism (Chicago and London: University of Chicago Press).
- Buchanan, Richard. "Rhetoric, Humanism, and Design." In Discovering Design: Explorations in Design Studies, edited by Richard Buchanan and Victor Margolin, 23-68. Chicago: University of Chicago Press, 1995.
- Chenail, Ronald J. “But is it research?”
- Churchman C. W. (1971) The Design of Inquiring Systems: Basic Concepts of Systems and Organization. New York: Basic Books Inc.
- Cross, Nigel. "Design Research: A Disciplined Conversation." Design Issues 15, no. 2 (Summer 1999): 5-10.
- Cross, Nigel. "Discovering Design Ability." In Discovering Design, edited by Richard Buchanan and Victor Margolin, 105-120. Chicago: University of Chicago Press, 1995.
- Frayling, Christopher. "Research in Art and Design." Royal College of Art Research Papers 1, no. 1 (1993-4): 1-5.
- Hanulla, Mika, Suoranta, Juha & Vadén, Tere. Artistic Research – theories, methods and practices, Art Monitor, Gothenburg 2005. “Introduction”, p. 9-22 and “Artistic Research in Practice”, p. 109-118
- Hughes, Rolf. "Experience and Communication" in Reflections 7 (Brussels: Sint-Lucas School of Architecture, 2007)
- Hughes, Rolf. "The Art of Displacement: Designing Experiential Systems and Transverse Epistemologies as Conceptual Criticism." In Footprint Issue # 4, Spring 2009, Agency in Architecture: Reframing Criticality in Theory and Practice
- Klein, J. T. (2004) “Interdisciplinarity and complexity: An evolving relationship” E:CO Special Double Issue Vol. 6 Nos. 1-2.
- Kuhn, T. S. (1970) The Structure of Scientific Revolutions, 2nd. ed., Chicago: Univ. of Chicago Press.
- Leavy, P. (2009). Method meets art: Arts-based research practice. New York: Guilford Press.
- Mazé, Ramia, and Johan Redström. "Difficult Forms: Critical Practices in Design and Research." In Proceedings of the conference of the International Association of Societies of Design Research. Hong Kong: IASDR, 2007.
- Mazé, Ramia. Occupying Time: Design, Technology and the Form of Interaction. Stockholm: Axl Books, 2007.
- Mäkelä, Maarit and Routarinne, Sara, eds. The art of research : research practices in art and design. Helsinki, Finland: UIAH, 2006.
- Ryle, G. (1949) The Concept of Mind. Harmondsworth: Penguin Books.
- Schön, D. (1981) The Reflective Practitioner. New York: Jossey-Bass.
- Shales, Ezra: “Technophilic Craft”, American Craft Magazine, April/May 2008.
- Simons, H. W., ed. (1990) The Rhetorical Turn: Invention and Persuasion in the Conduct of Inquiry (Chicago and London: University of Chicago Press)
- Talkin' Loud and Sayin' Something (catalogue)
Dendritic computer
by Pablo Miranda and Arijana Kajfes
Vannevar Bush, As we May Think (1945)
The difficulty seems to be, not so much that we publish unduly in view of the extent and variety of present day interests, but rather that publication has been extended far beyond our present ability to make real use of the record. The summation of human experience is being expanded at a prodigious rate, and the means we use for threading through the consequent maze to the momentarily important item is the same as was used in the days of square-rigged ships.
But there are signs of a change as new and powerful instrumentalities come into use...
But there are signs of a change as new and powerful instrumentalities come into use...
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About Me
- Rolf Hughes
- Writer & critic; Guest Professor in Theory and Practice-Based Research at the Department of Interdisciplinary Studies at Konstfack University College of Arts, Crafts and Design, Stockholm; Senior Professor in Research Design at the Sint-Lucas School of Architecture, Brussels & Ghent; Senior Researcher at the Royal Institute of Technology, School of Architecture, Stockholm.
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